Archive for the ‘Flute’ Category

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Compositional goals from 2004

June 19, 2010

Back in 2004, when I really started to consider composition as a major I made a list of pieces that I wanted to write within my composition ‘career’. I put it aside as my life priorities changed, and I found it yesterday. I think it is time that I bring back this list, and hope to start crossing more things off. So that I can hold myself accountable, I want to make it public. This isn’t a complete list of ideas, but as of right now it is a big enough one to always remind me that I have projects I can and need to be working on!!

List of Compositions to complete:

Solo Works
Piccolo
Flute – Romantic style piece, “Jig”, and others.
Alto Flute
Bass Flute – Low Register stuff
Oboe
English Horn
Clarinet – 3 Sketches for A Clarinet (also other A Clarinet pieces)
Saxophone
Viola
Cello
Trumpet
Baritone
Tuba
Marimba
Soprano
Tenor
Bass
Soprano Sax
Tenor Sax
Alto Sax

Solo with Piano:
Piccolo
Flute
Alto Flute
Bass Flute (unamped)
Bass Flute (amp)
Clarinet
Soprano
Tenor/Baritone
French Horn
Trumpet
Marimba
Soprano Sax
Tenor Sax
Alto Sax

Chamber Music:
Piccolo, Flute and Piano
Flute, Alto Flute and Piano
Flute, Bass Flute and Piano
Piccolo and Bass flute
Flute Duo/Trio/Quartet/Quintet
Flute Choir (up to 8 parts)
Flute and Clarinet
Flute and Marimba
Bass Flute and Clarinet
WW Quintet (standard)
Brass Quartet (Trombone)
Brass Quartet (Trumpet)
Trumpet, Trombone, Violin, Cello
Flute, Marimba and Trumpet trio
Sax duets and trios
Sax Quartet (Soprano, Alto, Tenor, Bass)
String Quartet
Soprano and Alto with Piano
Soprano and Bass with Piano
Tenor and Bass with Piano

Bassoon Quartet/Quintet/Sextet

Small to large ensembles:

2 piccolo/3 flute, 2 oboe, 3 clarinet, 2 bassoon, 2 alto, 1 tenor sax, 1 baritone sax, pitched percussion, snare drum (16 musicians).

2 Flutes, 2 Clarinets, 2 Bassoons, and 2 French Horns (double quartet)

Early Bands (Elm. and JH)

Beginning Band (HS)
Intermediate Band (HS)

Symphonic Band (with English horn, Soprano sax, and alto flute) (C)
Symphonic Band with Flute Quartet (Picc, C, alto, bass). (C)

Picc/2 flutes, 2 clarinets, 2 bassoons, 4 violins (2 parts), 2 violas (1 part),
4 cellos (2 parts), 2 Trombones, 2 trumpets, 1 tuba,
3 mixed percussion (24 musicians)

String Orchestra

Full Orchestra

Men’s choir (TTBB)
Treble Choir (SSAA)
Mixed Choir (SATB)


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Questions to help define my personal business model for my music.

March 11, 2010

As I write more music on a regular basis the thought of what I want to do with it becomes something I think about more and more. I have been composing technically for about 10 years with some time off to move from place to place and settle. Now it is time for me to start thinking about the projects I’m doing now and what I want to be doing with my music in the future. Right now I’m lucky enough to be composing for a movie, but I don’t know when/if I’ll get other opportunities to work with such great people again. I feel incredibly lucky to have this opportunity, and I’m not taking it lightly as a commitment I have made.

I have the option of “locking things down” and making all of my music and projects “paid only” but that doesn’t help spread the openess that music promotes. Realistically, I’m lucky if I have 1 or 2 fans of my music. Mainly because I haven’t put it out there for people to have access to it. I’m sure that as I put more and more of my music out there and expose myself to more people, I will eventually have 10 fans, and maybe even 100. I know that I’ll greatly appreciate anyone that says they like my music, and I’m willing to take criticism and feed back from those who don’t. I want to better myself as a composer, and one of the only ways I can do that is to get feedback from those who know about music and those who just enjoy listening to it.

Can a “freemium” (free content with an optional buy-in) business model work for a composer? I’m unsure if it really can. I think that I’d rather give my music away and find out where my fans are, and if they exist, rather than holding onto my music without anyone able to hear it. I think I have more to gain by giving it away, even if it comes down to just getting feedback. Yes, I’d love to make money off my music, but I don’t know if it is realistic to think that I ever will. One can always hope, but it isn’t something that I expect. I have invested a lot of time and money into my music education and experience and I hope that it translates in my final product, but I can’t make people decide that my music is ‘good’ or ‘respectable’. Ideally I’d give my music away, and then just give a way for people to donate to me if they wanted or felt my music was worth the money. That way it would be completely opt-in, and hopefully all parties would be happy.

I do have some larger goals that I still want to accomplish: Getting my music published, and getting a CD made (even if only digitally distributed). I feel they can both happen, it is just a matter of how. With everything digital now, it makes it much easier to distribute music (PDF, MP3s, etc) and I want to utilize it the way that ‘my audience’ wants. So I guess the best way for me to get my name out there will also still allow me the opportunities to accomplish those bigger goals. Realistically though, no matter what, I’d just be happy if people were playing my music and talking to me about it, outside of the small group of people that know about it.

I’m currently in the process of setting up my main domain, that will have samples of my music and information about my music and projects. I hope that this will become a good way for me to start interacting with people and to share my music with them. I plan on having samples, if not full piece downloads (PDF, MP3) for people to have and interact with. I just have to do some soul searching and decide how I want to peruse these goals while still keeping everything else going.

Any ideas or thoughts?? Please comment.

Thank you,

-Kyle


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Backing up and digitizing my sheet music…(without a scanner!!)

January 2, 2010

I, like many other musicians, have been collecting sheet music for as long as I’ve been playing. Although it is unlikely that a diaster can and will happen, it is something we should all prepare for. In the digital world we are taught that if you only have one copy you are vulnerable to loss. I backup my digital music library in several ways. First, I have it stored on a USB external hard drive for easy transportation to another computer if I need it. Secondly, I have it backed up on my computers internal hard drive, and then I have that hard drive cloned on a back up firewire drive so that I could use it as a bootable backup of my current workstation if something happens. This isn’t a complete backup setup, but I will soon be backing it up offsite so that I don’t have to worry about it if something happens to ALL of my hardware. I’ll write more on that later. I truely feel that I should digitize my sheet music collection so that if something happens and I lose my sheet music library that I can have access to it. Personally, I feel this falls within fair-use because as long as I don’t distrubute it, I should have the right to use the media how I want for personal use. Granted, this is debatable and people disagree, but if I paid for it I should be able to use it in my digital life in the way that best suits me. I have invested thousands of dollars in sheet music, and if I lost it, I would be financially difficult for me to replace, even if I could get most of it back with insurance. I already have a list of everything in my music library, including who it was written by, the price I paid for it, and the place I got it, and that is stored on my MobilMe drive offsite. Read the rest of this entry ?

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A short YouTube video of me on the flute…

August 29, 2009

Please comment and enjoy. I know it wasn’t perfect, but it was done fast just so I could get it out. I haven’t worked on the piece in awhile, but it is one of my favorite pieces :-)

Thanks, and enjoy,

-Kyle

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How can I improve the blog?

July 16, 2009

I’m always trying to bring new content to the blog, but I want to know what my readers (the few that I have) want out of it! Please select what you want more of in my blog, or please put a suggestion. Thank you for your time and I look forward to seeing what you (the readers) want to see from me.

Thank you,

Kyle

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The Flute Family (overview)

June 12, 2009

Piccolo
(Key of C, One octave above concert flute)

Alto Piccolo
(Key of G, One octave above alto flute)

Eb Flute
(Key of Eb, between concert flute and piccolo)

Concert Flute
(Key of C,Written pitch)

Alto Flute
(Key of G, One octave above contralto flute)

Bass Flute
(Key of C, One octave below concert flute)

Contralto Flute
(Key of G, One octave below Alto Flute)

Contrabass Flute
(Key of C, One octave below Bass Flute)

Subcontralto Flute
(Key of G, Two Octaves below Alto Flute)

Subcontra Bass Flute
(Key of C, Two octaves below Bass Flute, Three below Concert Flute)

This is not a complete list…but this is everything that is easily searchable. Do a google search for “Big Flutes” and will get some image results! Sorry for taking so long to update, things have been crazy!

I’m sure I will mention these again in the future, and I will be more in-depth in later postings.


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Flute Breakdown – Head Joint (Part 1/3)

June 2, 2009

HeadJoint

First, we are going to start with head joint. The head joint is the first part of the flute that flute players tend to upgrade. You can upgrade the head joint of your flute only and it can drastically change the sound that you are able to get from your flute. Although the rest of the flute does matter and change the tone and sound of the flute, nothing changes it nearly as much as a change to a head joint. The parts that we are going to discuss in this post are the following:

  1. Head Joint Materials
  2. Crowns/Corks
  3. Risers
  4. Lip Plates/Engraving
  5. Embouchure Hole Cutting
  6. Maker Logo
  7. Uncommon Head Joints
  8. Things to Consider When Buying a Head Joint.
  9. Links to head joint makers
    Read the rest of this entry ?
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Parts of the flute!

May 26, 2009

Most of the flute parts labeled. Click the picture for full size downloadable on Flickr.

I’ve decided that because I’m going to be talking about the advances in the flute being made, I would give a break down of the parts on the flute so that they can easily be understood anddiscussed. Because this flute does not have every option available I’m doing to list them below, and when they come up in the future, I will expand on it more.

Pictured: Foot Joint – B foot

Common Flute Options: Bb Foot (uncommon),C Foot, D Foot (not a standard choice for most flute players).

Pictured: Gizmo Key

Common Flute Options:The gizmo key is used on flutes to close the last key/hole on the flute when playing the high C (4thoctave). This note or higher, often becomes muffled because of the extra length of the foot joint when compared to a C Foot joint.

Read the rest of this entry ?

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Starting with what I know best…the flute!

May 26, 2009

Today, I’m going to be talking about two different types of flutes. The Kingma System Flute, and the Grenaditte Flute.  With advances in flute materials, and advances in the mechanical system, it has opened up a new world in terms of what is available to flute players today.  Not only do flute players have the option of having a hand made instrument made for them from companies like Powell, Burkart, Muramatsu, Haynes, and more, but they they have the ability to choose a more modern flute that isn’t considered a ‘standard’ in the flute world.

The first flute that I’ll be talking about is the Kingma System Flute.  This flute has additional keys added to it so that it can easily play quarter-tones (aka, microtones) that are very popular in modern music.  The addition of these keys not only allows for quarter-tones, but also different overtones that allow new chords to be produced on this flute.  Flute players can also use these different fingerings and keys to make sure that they are in tune in ensemble music.  Flute players have a wide variety of tone colors available from this flute, and hopefully at some point, I will have the opportunity to play one to test out.

A picture of the Kigma System flute system with added keys

A picture of the Kigma System flute system with added keys

The Keys added to the flute are the following:

C up, G up, F# up, D up, B up, Bb up, C up, and C# up.   These keys open up the ‘middle’ of the keys that are normally closed when a note is being played, creating the microtone.  Not only are these easier to finger with the extra keys, but they closer to being in tune, and they are not awkward fingerings.  You can order them directly from Eva Kingma or you can order them in America from Brannen Flutes.  Robert Dick plays exclusively on these instruments, and is well known for creating powerful music that uses the instrument to it’s full potential.

Read the rest of this entry ?

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